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8 January 1836 – 25 June 1912. Most renowned painters.

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Jean-Louis-Ernest Meissonier
Jean-Baptiste de Roll-Montpellier enfant

ID: 80172

Jean-Louis-Ernest Meissonier Jean-Baptiste de Roll-Montpellier enfant
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Jean-Louis-Ernest Meissonier Jean-Baptiste de Roll-Montpellier enfant


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Jean-Louis-Ernest Meissonier

French Academic Painter, 1815-1891,French painter, sculptor and illustrator. Although he was briefly a student of Jules Potier (1796-1865) and Leon Cogniet, Meissonier was mainly self-taught and gained experience by designing wood-engravings for book illustrations. These included Leon Curmer's celebrated edition of J.-H. Bernardin de Saint-Pierre's Paul et Virginie (Paris, 1838), the series Les Franeais peints par eux-memes (Paris, 1840-42) and Louis de Chevigne's Les Contes remois (Paris, 1858).   Related Paintings of Jean-Louis-Ernest Meissonier :. | Leland Stanford, | Study of a horse | The siege of Paris in 1870 | The Card Players | Dimensions and material of painting |
Related Artists:
Eugene Burnand
French Painter, 1850-1921 was a Swiss painter. He was born in the municipality of Moudon in the Swiss canton Vaud. Before moving to Paris in 1872 he studied with Barth??lemy Menn at the Ecole des Beaux-Arts in Geneva. In Paris he joined Jean-L??on G??rôme's studio, and was known primarily as a landscape painter. Burnand was greatly influenced by the Realism of such artists as Jean-François Millet and Gustave Courbet. This is reflected in perhaps his best known work, The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection c.1898,
Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
Gerhard Munthe
1849 (1929) was a Norwegian painter and illustrator.Munthe was born in Elverum to physician Christopher Pavels Munthe (1816 C 1884) and his wife Christine Margrethe Pavels Aabel (1827 C 1887). He was a brother of historian and military officer Hartvig Andreas Munthe, writer Margrethe Munthe and military officer Carl Oscar Munthe. He was also an nephew of historian and cartographer Gerhard Munthe and an uncle of genealogist Christopher Morgenstierne Munthe, librarian Wilhelm Munthe and painter Lagertha Munthe. Through his mother he was a nephew of Andreas Leigh Aabel and Oluf Andreas Aabel, and a first cousin of Hauk Aabel. In December 1886 he married Sigrun Sandberg (1869 C 1957). Between 1886 and 1890 Bjørn Bjørnson was his stepfather-in-law. Munthe and Sandberg settled in Sandvika and later Lysaker. Also, Munthe had a studio at Ringstabekk for a short period.The couple divorced in 1919, the same year she married Fridtjof Nansen.






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